By Eric Walton
This is the second in our ongoing series of Guest Blogger entries.
It is no secret that magic is an art-form based largely upon secrets—secret moves, secret apparatus, secret intentions. If the presentation of magic is to be successful, the magician must know something that the spectator does not and he must keep that something a secret for as long as he can.
But a secret isn’t the same as a lie.
A lie is the deliberate misrepresentation of the truth, perpetrated in order to gain some advantage, generally a malicious one. A lie is always told with the intent to deceive, whereas a secret is merely the concealment of the truth or some aspect of it and may or may not involve the will to mislead. I may have a secret tattoo of Genghis Khan on the sole of my foot, but you are unlikely to consider yourself deceived if I fail to disclose the fact when we first meet.
And while we magicians must sometimes resort to overt lying in order to present our tricks successfully, most of the deception on which we rely is not in the form of lies that we tell our audiences, but in the fabrications and confabulations that take place within the minds of the spectators themselves. The magician orchestrates a series of “experiential voids” which audience members consciously and unconsciously fill with their own expectations, assumptions and interpretations. Thus, audience members are not so much the victims of the magician’s deception, as they are both witting and unwitting accomplices in it. (more…)